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Unique handmade jewelry: Miriam Haskell Jewelry

jewelry, necklace  |  July 19th 2011  |  0 Comment

Everyone knows that the fashion jewelry launched Chanel made a splash in Europe, artificial pearls and glass diamonds, but few know the woman, marked the beginning of a whole movement of costume jewelry in America – Miriam Haskell. Chanel is a success in Europe, arguing that the jewelry looks much more attractive than jewelry, but in America starts a business Miriam Haskell.

Pay attention to the necklace. Interesting idea, two brooches threads that connect with businami.Zastegivat be different, from the side, together, separately, in the back, a jewelry and wear a lot of options, great!


In the 20 years in the fashion industry has undergone tremendous changes, fashionable and beautiful clothes are no longer a luxury. Changed cuts, fabrics, styles, the middle class is no worse than the upper strata of the population. In Europe, Gabrielle Chanel makes a coup, a woman’s look great in the strict and concise dresses straight cut from quality fabrics. New bow is replaced by the versatility, the woman chooses comfortable clothes suitable for both day and for evening. Jewelry yield to kostyumnym jewelry – costume jewelry. Chanel is a success in Europe, arguing that the jewelry looks much more attractive than jewelry, but in America starts a business Miriam Haskell.

A woman who laid the foundation for a variety of costume jewelry movement, Miriam Haskell, opened its first boutique of jewelry in New York around 1920.
At this time, a new demographic class, known as the “new rich” has become the main consumers of clothing and accessories. In the past, are habit-class ladies prefer only expensive jewelry, usually gold and precious stones.
When Miriam Haskell jewelry is becoming popular, contemporary fashion and jewelry go to a new level, and finished jewelry is more valuable than those of materials which it is created.

While the reigning French fashion motifs, orders materials and Haskell from Europe and Japan, including glass beads, filigree, glass pearls and Venetian glass beads and pendants. Her presence and influence in the fashion world is constantly increasing, which helps her survive the subsequent popularity of staunchly troubled economic times. The Great Crash on Wall Street in 1929 and the ensuing Depression era only secured its success, as most of the once wealthy clients no longer have the means to purchase something that would be fabulously expensive jewelry, and so are turning their attention to the “processed jewels,” as they called at the time.

In 1931 the company moved to Fifth Avenue in New York, where he remained until 1966. Later, during World War II because of the unavailability of imported glass and other components from European countries, the company is forced to search for materials in their native country – as plastic has replaced glass and crystal, silver – gold and precious metals, wood and shells are the new materials in the world of costume jewelry.

Miriam Haskell style easily recognizable by delicately strung beads, creating a unique structural layers jewelry, regardless of whether there is a product of its logo or not. The company did not put a label on their products until 1940, so many of the products have remained anonymous.

A new milestone in the development of the company began with the arrival of a young designer Frank Hess, who was hired by Mrs. Haskell in 1926. Although Miriam has the final say in the selection of new samples, Hess, with an innovative design led company to the next level of success, not going beyond the style of Haskell. Later in the 40th’s health began to deteriorate, Mrs. Haskell, seizures, depression, anxiety and reluctance to accept Hess led the creative department, where he was and a very long time.

In 1955 the company was sold to Maurice Kintsler, which hired designer Robert Clark, he, in turn, becomes the chief designer for Frank Hess. Among the other top designers are known Peter Raines, Larry Vrba, Camille Petronzio, and others. Ownership of the company moved from Kintsler in 1983 to Sandford Moss, and then to Frank Fialkoff in 1989, who owns to this day.
A box of ornaments Haskell Since the company’s headquarters for many years was located on Fifth Avenue, most of the raw materials, components and beads was kept there for many years. The company passed from hand to hand, much of it was sold at auction or bought up by other jewelers in the area of New York and Rhode Island. Although it is difficult to detect, but most of this “dead” material is still somewhere in the district of New England. Designers who own these materials do not give out their stocks, and nekotrye grandmother, who worked in the 50s the company hid the small quantities of raw materials. Thus, the “mini-market materials Miriam Haskell” can still be found. By and large, something of limited editions of past works are still available. The company “Haskell Jewelry” is still engaged in the same business, focusing on the jewelry to the masses and trying to stay in line with the stylistic traditions of the creator.

Haskell jewelry collections produced in the same style jewelry offered for the morning, day and evening. Daytime decorations were restrained and less expensive furniture, but on the evening were the more luxurious suites. Take into account the universality of the suits in those days, was able to wear a suit without changing from morning to night and change the image only with jewelry.Usually made ​​sketches of jewelry. In reality the ornaments were somewhat different, but they were not portilo.Chut later we will make a separate topic with sketches of Haskell. ‘s sketches and finished work. Miriam brought into fashion beads and bugles. A lot of collections with beads. Flowers and plants in almost every work, romance and universality:) fanciful. BW glass leaves.Surprisingly, delicate brooch! Daisies, plastic, 60-course:) Enamel. Flowering sets:) The abundance parts did not make jewelry alyapistymi. brooches and bracelets made ​​of glass, so bisera.Vse twisted, everything is so bright and fun:) jewelry using metal parts. And completely out of metal. … Gold and Silver. Ornaments of Haskell introduced the fashion parts of the tree. Similarly, the failure of the head !!!:) Poppy box? And yet and shells came into play. No ethnics, and the solid elegance! original and cute:) Clasp – simple and sweet. I guess this is a necklace called the “percentage of sales?”;) Plastic. Flowers. 60. allim_lip

source: www.bijoumania.ru

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